![]() ![]() Though we can look at the gain reduction meter for reference, but by ticking the Output Ess only box here, we can hear just the sounds that are being detected. Of course lowering it makes the effect more obvious. Threshold:This helps set the threshold point and will help reduce Ess sounds that go over the volume.Algorithm:Classic reduces the volume of all frequencies on an Ess sound, while Spectral reduces the frequency of the band most associated with Ess sounds.However, if set too high the overall performance will lose it’s low end.īy adjusting accordingly, we are able to remove the plosive sounds without cutting into the low-end of the voice.Īs a final touch lets remove the Ess sounds. If set too low you won’t remove any plosive sound, and the higher its set the more reduction on the plosive sounds. Strength:Determines how strong the removal effect of the plosive sounds are.The higher its set the better it can detect plosive sound, but can interfere with the vocal sound. Sensitivity:Determines the sensitivity of plosive sound analysis.Move to the left if it begins to cut into the low frequencies on your audio. Frequency Limit:Determines the highest point for plosive sound removal.To do so, we will look at the De-plosive module. Next, we will look at the first “sa” sound, where we have an explosive air sound and try to remove it. Smoothing:Move this slider to the right to smooth out the Reduction curve.Click to create a new point, and raising it will lower the noise reduction on that frequency, while lowering it will raise the noise reduction. You can adjust the strength of noise reduction by frequency using this curve. Reduction curve:By ticking the box, a blue line will be displayed in the center of the analyser.Raise it to the right up until a point where the vocal quality loss is not noticeable. However, it can result in a loss in vocal quality. Artifact Control:The lower its set, the better the separation between the noise and the voice.Quality:You can keep the Quality at Best if your CPU can handle it.Reduction:Refers to the amount of noise reduced, and works hand in hand with threshold, making a balance between the two parameters crucial.Raising it gets rid of more noise but it can also get rid of the sounds you want to keep in the process. ![]() Threshold:Lowering it gives a more natural reduction but may often result in plenty of left over noise.It’s best to select a portion containing just noise to analyse the sound. Spectral De-noise analyses unpleasant frequencies and subtracts them from the frequency to remove noise. We will be using Spectral De-noise to do this. Next lets try getting rid of the white noise in this sample. Find the best point for this setting as well.įor this sample, we used MULTIBAND (RANDOM CLICKS) with a focus on lower frequencies to get a clean result. we would set this setting a little higher, but this will also cause issues when set too high. To fix rapid click sounds and other issues from digital waveforms, etc. Click Widening:Determines the time of removal applied to a detected click sound.Raising it too high leads to unnatural results. Sensitivity:Determines click detection sensitivity.Lower frequencies are detected on the left, high frequencies on the right. Frequency skew:Determines frequency band for click detection. ![]() We recommend previewing the sound while choosing which type to use.
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